Gone With the Wind: Part One
The more I read, and the more I write, the more I’m convinced that good writing transcends genre. A well-paced work of non-fiction can clip along as well as any Vince Flynn thriller just as a beautifully crafted novel can transport readers to a world as vivid as any historical tale of David McCullough’s. In much the same way, good story telling should transcend the editorial peculiarities of a give age. And yet it’s hard to read a Russian masterpiece like War and Peace or a universally acclaimed novel like Moby Dick and not think of Elmore Leonard’s admonishment to “try [and] leave out the part that readers tend to skip.” So it was with some trepidation that I cracked the spine of Margaret Mitchell’s epic tale, Gone With the Wind, in June 2014 to see what the fuss was all about. Surely a novel that had won the Pulitzer Prize for fiction (1937) and had sold more than 30 million copies since its publication has something going for it. My aim that week was to understand what made the novel work. Commentary on her one-and-only novel undoubtably runs deeper and wider than my personal reading and writing experiences. Like all readers, though, I know what I like. As with many writers, I know what seems to work in effective story telling. I’ve spent a lifetime, it seems, hearing references to Scarlett O’Hara and Rhett Butler, but I had never read GW2 and had never seen the movie. So with a near virginal approach to this masterwork, I dove in this past summer. What follows are my daily impressions as I read the novel. Here’s what happened: GW2 Day One: Successful stories have captivating first pages and gripping opening chapters. Reportedly, after ten years writing the novel Gone With the Wind, Margaret Mitchell spent an additional six months massaging the words of her initial scene. She ultimately settled on the stark and prophetic first line: “Scarlett O’Hara was not beautiful, but men seldom realized it when caught by her charm…” So far, she has delivered on that promise. As the opening scene unfolds in the lazy April afternoon of the antebellum south, Mitchell reinforces the charm of Scarlett even as she shows her petulant side. Layers of Scarlett’s personality are painted on with a combination of bold actions and rich backstory. In lesser hands, such detail could be...read more